Gagg family history

 
 


 

A life ending a new one beginning

Thomas Gagg's story

By Alan M Gagg ©

(work in Progress)

 
  It is the early hours of the 31st October in the year of our Lord 1897  as I lie here in what will be my death bed. For the doctor came a few days ago and said nothing more could be done, I have clung on to life to see my youngest grandchild born. My youngest son Christopher sits in a chair dozing close to my bed , he has been attending to me, helping me sit up when the coughing fits get too much, cleaning the blood and spittle from my face and chest , encouraging me to hang on just a bit longer. He is a good lad as are all my children. Married just over a year  he and his lovely young wife Alice live just a few hundred yards away, my daughters Rose and Emily also live not far away. Rose with my wife Harriet is attending Alice for this is her first born, Emily is downstairs waiting  to send news of my death or my grandchild's birth, I do not envy her the waiting.

I must have fallen asleep for with a jump I awake hearing a commotion downstairs ,Christopher jumps up with a start,  the look  momentarily on  his face as he looks at me is that of shock  and of question, had I died whilst he was asleep? then no he realises that I am still amongst the living. We hear footsteps hurrying up the stairs and Emily rushes in .She looks first at me then to Christopher  and says with a huge smile on her face ' it's a boy and he and Alice are both doing fine'.

Christopher lets out a whoop and gathers his sister in his arms and whirls her around, the look of joy and relief on his face lifts my heart.

The excitement of the moment  makes  my heart  pound and stutter, my lungs clog and the coughing begins again. They rush to me concern on their faces and as I cough up more blood and gasp for breath, Christopher picks me up , Emily puts pillows behind my back and they prop me up, she gets the bowl and I  cough more blood into it I am finding it harder to breathe and my eyes seem to lose focus.

Emily's eyes are wet as she says to me ' don't you go and die on us now Dad, just hang on a while longer .

Christopher with a look of urgency on his face  says 'Emily go tell mum to  hurry back and wrap the baby up warm and bring him as quick as you can'.

Their faces say they think I will not last much longer, but I was always an obstinate man and I am not changing now. I sink back into the bed willing my body  to relax and give me some respite. I turn my mind back and look at my life until now. This is my story.

I am Thomas Topott Gagg  an Engineer, born in Westminster in 1819 my father whom I am named after was  a Landscape and Portrait painter, His father and Mother John and Elizabeth (Topott) Gagg were born in Nottinghamshire, John in a village called Misterton where the Gagg family had lived and farmed for centuries .They came to London son after their marriage in 1783 and  my uncle John was born in  Westminster in 1787 with my father being born in 1795.

My grandparents came from good stock and my father and uncle were given good educations. My father had an artistic flair and was to choose this as his profession, traveling all over the country painting Landscapes and Portraits for well to do folk.. As my brother Edward and I were growing up he sometimes let us come with him  when he was doing a landscape painting. We would take our  sketchpads and try to see who could  do the nearest representation of our fathers work. He let us do that a few times  and then admonished us saying ' to be an artist you must see with an original eye. My brother Edward was I can say now a better artist than I. My bent was always in making things work, a broken clock, a spinning wheel, these were what I had an affinity with.

When I was six years of age I remember my father reading the London Evening Post and excitedly saying to my mother ' look at this belching giant, I must go up there and paint it, there will be good money in something like that.' I rushed over  to look at this giant and saw only a sketch of  this great big iron machine with wheels.

'Where is the giant  father ' I asked excitedely. He replied 'you are looking at it boy', He then read out the article about  the Darlington public railway  and how it was going to revolutionize  the way that people traveled.. According to  George Stevenson the man who designed the  Locomotion  as he called it, the horse  was an outmoded way of travel and of  pulling loads to wherever they had to go. He said that within five years everyone would travel by his method .

My father continued reading the article and my head was filled with the  day dreams of  a young boy. I could see myself not just riding on one of these locomotives but  being the engineer as Mr Stevenson  called the man who operated the locomotive.

That day I think  was the day my future was laid out and a few years later when  the Liverpool and Manchester railways setup trials  to find the best locomotive to serve a new  railway line  between the two cities I managed to persuade my father to let me go with him when he went there on a painting commission. For the paintings he had done  those few years earlier had all been sold save one that he did for me. Mr Bradman . a coal mine owner near Liverpool  who had purchased one of the original paintings  gave my father a commission of painting the locomotives taking part in the trials.We travelled up by coach staying in various inns on the way ,which in itself was an adventure for me.The beautiful English countryside changing yet unchanging through the different counties.

at night when we eating in the inn ,the different accents fascinated me although it took a while to understand what was being said, sometimes it sounded like they were speaking a different language.

I have no doubt that it was the same for them when my father and I were speaking. There was much laughter and beer drunk on those nights. My father keeping an eye on me to make sure that I did not drink to much. We arrived  a couple of days before the trials, my father wanted to scout out the area for the best places to setup his easel.. I had my sketch pad with me  and wanted to . draw these great iron beasts for myself, mainly though I just wanted to be near them and maybe even  ride on one of them.

All along the sides of the track were tents and stalls , fair ground rides being set up  and a carnival atmosphere and excitement amongst all of the people milling about.There were men making wagers  on anything and everything,Jugglers, and strongmen .My father said to lookout for a 7 foot giant who was his cousin Jan from Devon and was reputed to be the strongest man in all of England.

Everyone seemed to be there to have a good time ,but strange as it is now to think that these few days were going to bring about probably the most important development in this land  and indeed the world of this century. Now nearing the 20th centurty we take for granted the large municipal stations and the ease of getting a train from one great city to the next.The vast amount of goods that travel along our railtracks arriving  without delay at our ports and cities.

Then  of course everything went by horse and cart or by coastal ships and some along the canals that were beginning to spring up around the country.